Rebecca Stark is the author of The Good Portion: Godthe second title in The Good Portion series.

The Good Portion: God explores what Scripture teaches about God in hopes that readers will see his perfection, worth, magnificence, and beauty as they study his triune nature, infinite attributes, and wondrous works. 

                     

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Monday
Mar262012

An Anthology with Diverse Genres

…and the ultimate editor.

I’ve been wanting to use literary genres of scripture as one of the weekly theological terms. There’s some information online for me to link to, but not much. So I have a plan: I’m going to post quotes from some books I have and then link to them when I need them. 

From the introduction to The Literary Study Bible, on literary genres in the Bible:

The most customary way to define literature is by the external genres (types or kinds of writing) in which its content is expressed. The two main genres in the Bible are narrative and poetry. Numerous categories cluster under each of these. Narrative subtypes, for example, include hero story, Gospel, epic, tragedy, comedy (a U-shaped plot with a happy ending), and parable. Specific poetic genres keep multiplying as well: lyric, lament psalm, praise psalm, love poem, nature poem, epithalamion (wedding poem), and many others.

Still, these literary forms are only the tip of the iceberg. In addition to narrative and poetry, we find prophecy, visionary writing, apocalypse, pastoral, encomium, oratory, drama (the book of Job), satire, and epistle. Then if we start adding more specific forms like travel story, dramatic monologue, doom song, and Christ hymn, the number of literary genres in the Bible readily exceeds one hundred. …

The importance of genre to biblical interpretation is that genres have their own methods of procedure and rules of interpretation. An awareness of genre should program our encounter with a text, alerting us to what we can expect to find. For example, the most prevalent of all literary forms is narrative or story. To make adequate sense of a story, we need to know that it consists of plot or action, setting, and characters. These, in turn, constitute the basic grid through which we assimilate the story and talk about it.

In view of how many literary genres are present in the Bible, it is obvious that the overall literary form of the Bible is the anthology, as even the word Bible (Greek biblia, meaning “little books”) hints. As an anthology, the Bible possesses the same kinds of unity that other anthologies exhibit: multiple authorship (approximately three dozen authors); diverse genres; a rationale for the assembling of this particular collection of materials (a unifying religious viewpoint and story of salvation history, as well as the fact that all the books except Luke and Acts were written by Jews); comprehensiveness; and an identifiable strategy of organization (a combination of historical chronology and groupings by genre). With belief in the inspiration of the Bible as a foundational premise, we can say that the Holy Spirit is the ultimate editor of the anthology that we know as the Bible.

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