Sweet

Sweet day, so cool, so calm, so bright!
The bridal of the earth and sky—
The dew shall weep thy fall to-night;
For thou must die.

Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye,
Thy root is ever in its grave,
And thou must die.

Sweet spring, full of sweet days and roses,
A box where sweets compacted lie,
My music shows ye have your closes,
And all must die.

Only a sweet and virtuous soul,
Like season’d timber, never gives;
But though the whole world turn to coal,
Then chiefly lives.

 —-George Herbert

In George Herbert there is poetry enough and to spare: it is the household bread of his being. With a conscience tender as a child’s, almost diseased in its tenderness, and a heart loving as a woman’s, his intellect is none the less powerful. Its movements are as the sword-play of an alert, poised. well-knit, strong-wristed fencer with the rapier, in which the skill impresses one more than the force, while without the force the skill would be valueless, even hurtful, to its possessor. There is a graceful humour with it occasionally, even in his most serious poems adding much to their charm.  —George MacDonald